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The Brutalist (Original Motion Picture Soundtrack) - Daniel Blumberg 2x 180G Vinyl LP
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Original price
£28.99
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Original price
£28.99
Original price
Current price
£28.99
£28.99
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£28.99
Current price
£28.99
Pre-Order - 1 left available
67 Commercial Way Woking, England GU21 6HN
We will fulfil the order on/around the release date
2x 180G Black Vinyl LP
Release Year: 2025
Catalogue Number: 19802879471
Barcode: 0198028794718
Record Grading: Mint (M)
Sleeve Grading: Mint (M)
Condition Note: Brand New
Track Listing / Description
A1 Overture (Ship)
A2 Overture (László)
A3 Overture (Bus)
A4 Chair
A5 Van Buren's Estate
A6 Library
A7 Jazz Club
A8 Porn
B1 Monologue
B2 Up the Hill
B3 Pennsylvania
B4 Bicycle
B5 Steel
B6 Intermission
C1 Erzsébet
C2 Handjob
C3 Bath
C4 Building Site
C5 Ribbon Cutting
C6 Picnic by the Lake
C7 Gordon's Dinner
C8 Looking at You
C9 Vidui
D1 New York
D2 Stairs
D3 Carrara
D4 Marble
D5 Tunnel
D6 Construction
D7 Heroin
D8 Search Party
D9 Epilogue (Venice)
Nominated for 10 Academy Awards, including Best Original Score, and shot in the glorious, vintage VistaVision format, Brady Corbet's The Brutalist stands as a monumental achievement in filmmaking. Opening with a mesmerizing and continuous 10-minute overture, composer Daniel Blumberg's music sets the stage for the film's epic narrative, which spans multiple decades and follows fictional Hungarian architect László Toth (played by Adrien Brody) as he rebuilds his life in post-war America. Encompassing large-scale brass orchestrations, intimately lyrical piano melodies and freewheeling, improvisational jazz, The Brutalist's score is as ambitious and broad in scope as the film itself.
For the film's frenetic and intoxicating jazz club scene, Blumberg assembled a jazz quartet (comprised of Pierre Borel on saxophone, Simon Sieger on piano, Joel Grip on bass, and Antonin Gerbal on drums) to perform improvised versions of his themes live on set, resulting in one of the film's most electrifying numbers, as well as additional period-specific pieces that appear throughout the soundtrack. For the film's 1980s-set Epilogue, Blumberg traveled to New York to work with synth-pop pioneer Vince Clarke (Depeche Mode, Erasure), deconstructing and rebuilding the film's main theme into a redemptive, synth and drum machine-driven dance track befitting of the new era.
Pressed on 180-gram vinyl, the 2-LP release from Milan Records features printed sleeves housed in a gatefold package designed by The Brutalist title designer Sebastian Pardo in close collaboration with Daniel Blumberg.