Dorothy Ashby - Afro Harping Deluxe Edition 2x Vinyl LP Remastered
Original price
£33.99
-
Original price
£33.99
Original price
£33.99
£33.99
-
£33.99
Current price
£33.99
Deluxe Edition 2x Black Vinyl LP Remastered
Catalogue Number: 5399759
Barcode: 0600753997598
Record Grading: Mint (M)
Sleeve Grading: Mint (M)
Condition Note: Brand New
Track Listing / Description
A1 SOUL VIBRATIONS
A2 GAMES
A3 ACTION LINE
A4 LONELY GIRL
A5 LIFE HAS ITS TRIALS
B1 AFRO-HARPING
B2 LITTLE SUNFLOWER
B3 THEME FROM VALLEY OF THE DOLLS
B4 COME LIVE WITH ME
B5 THE LOOK OF LOVE
C1 ACTION LINE MASTER A, TAKE 2
C2 AFRO-HARPING ALT. TAKE
C3 THEME FROM VALLEY OF THE DOLLS MASTER B, TAKE 2
C4 LONELY GIRL MASTER G, TAKE 1
D1 SOUL VIBRATIONS ALT. TAKE
D2 LIFE HAS ITS TRIALS MASTER C, TAKE 2
D3 LITTLE SUNFLOWER MASTER F, TAKE 3
D4 THEME FROM VALLEY OF THE DOLLS MASTER B, TAKE 6
Remastered from the original ¼ inch tapes by Alex Wharton at Abbey Road Studios, Afro-Harping is filled front-to-back with sumptuous and hypnotic grooves. Its African percussion, soulful orchestrations, in-the-pocket rhythms and Dorothy's virtuosity take it far beyond jazzy mood music and made it a favourite of beat heads and producers; sampled by Pete Rock, Kendrick Lamar, Jay Dee (aka J Dilla), Madlib, Flying Lotus and many others.
This deluxe version features eight bonus tracks, alternate takes from the surviving four-track session reels that are arguably superior to those on the album, including an explosive rendition of the single, 'Soul Vibrations', extended versions of its title track and 'Little Sunflower' and two fantastic jazzy readings of 'Theme from Valley of the Dolls'.
Additional flavour is provided by some of the in-studio 'atmosphere' that accompanies the bonus cuts. The session reels also featured the voices of Dorothy, Evans and others: encouragement, laughter, a brief burst of beatboxing and a mild disagreement over how many bars had been played, for example. In many cases these elements have been left where they were found, the better to experience the sheer joy of being in the room with Dorothy and some of the Chicago's finest musicians in the winter of '68.
By that time, Evans was running every aspect of Cadet Records, applying his emerging funk formula to new and established artists, with an overflowing pipeline of work for Ramsey Lewis, John Klemmer, Frank D'Rone, Odell Brown and many more. His growing Afrocentricity, coupled with Ashby's desire to highlight the Black struggle that had been the subject of several plays (from which three of the tracks on Afro-Harping were drawn) that she and her husband John had produced in her hometown of Detroit, provided the foundations for the recording of Afro-Harping. "Her jazz playing was very New York-ish, very sophisticated," Evans said. "But I wanted things to be very Black, very funky at Cadet."