Peaky Blinders: Season 5 & 6 (Original Score) - Anna Calvi
by Anna Calvi
Original price
£12.99
-
Original price
£30.99
Original price
£30.99
£12.99
-
£30.99
Current price
£30.99
Condition: New
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Track Listing / Description
A1 You're Not God
A2 Tommy's Requiem #1
A3 Tommy's Plan
A4 Death Is a Kindness
A5 Black Tuesday
A6 I Don't Like the Life
A7 Moseley #1
A8 Ruby's Birthday
A9 Grace
B1 There Ain't No Grave
B2 We Don't Like the Life
B3 The Execution
B4 Do What the Voices Tell You
B5 Moseley #2
B6 Retribution
B7 Reckoning
B8 Tommy's Requiem #2
C1 Miquelon
C2 Esme
C3 Under the Maple Tree
C4 Gina
C5 Ain't No Grave
C6 The Sanatorium
C7 Mosley
C8 Where Will You Go
C9 Pledge Your Allegiance
C10 Arthur
C11 Esme's Dream
D1 Ruby Has a Fever
D2 Jail and Perfume
D3 Michael's Plan
D4 Red Right Hand
D5 The Eleventh Hour
D6 Opium
D7 Goodbye Billy
D8 Legacy
D9 Tommy's Final Requiem
Anna Calvi's captivating and atmospheric compositions, her first foray into scores, for seasons 5 and 6 of Peaky Blinders, the BBC's record-breaking TV show, will now be released via Domino Soundtracks. Peaky Blinders: Season 5 & 6 (Original Score) comprises 37 tracks over the course of a double LP.
Talking about her work on the score, Calvi says "Composing for Peaky Blinders was about atmosphere and space. There's so much nuance when it comes to scoring to picture. It's more about what you leave out than what you leave in. I had to let the voice of the actors do the talking but find ways of bringing out the emotion within that. I became completely obsessed with Tommy Shelby, I dreamt about him every night whilst I was working on the scores, I had to really inhabit the show."
Track Listing / Description
Anna Calvi's captivating and atmospheric compositions, her first foray into scores, for seasons 5 and 6 of Peaky Blinders, the BBC's record-breaking TV show, will now be released via Domino Soundtracks. Peaky Blinders: Season 5 & 6 (Original Score) comprises 37 tracks over the course of a double LP.
Talking about her work on the score, Calvi says "Composing for Peaky Blinders was about atmosphere and space. There's so much nuance when it comes to scoring to picture. It's more about what you leave out than what you leave in. I had to let the voice of the actors do the talking but find ways of bringing out the emotion within that. I became completely obsessed with Tommy Shelby, I dreamt about him every night whilst I was working on the scores, I had to really inhabit the show."